Hold fast to dreams,
[Poet, Playwright; 1902-1967]
James Mercer Langston Hughes (February 1, 1902 – May 22, 1967) was an American poet, social activist, novelist, playwright, and columnist from Joplin, Missouri. He was one of the earliest innovators of the then-new literary art form called jazz poetry. He was an American poet, novelist, and playwright whose African-American themes made him a primary contributor to the Harlem Renaissance of the 1920s.
Langston Hughes was one of the most prominent figures of the Harlem Renaissance. Remembered primarily as a pioneer of jazz poetry, Hughes also wrote several plays, novels, short stories and essays. He published his first poem in 1921. He attended Columbia University, but left after one year to travel. His poetry was later promoted by Vachel Lindsay, and Hughes published his first book in 1926. He went on to write countless works of poetry, prose and plays, as well as a popular column for the Chicago Defender. He died on May 22, 1967.
EARLY LIFE OF LANGSTON HUGHES
James Mercer Langston Hughes was born on February 1, 1902, in Joplin, Missouri. His parents, James Hughes and Carrie Langston, separated soon after his birth, and his father moved to Mexico. While Hughes’s mother moved around during his youth, Hughes was raised primarily by his maternal grandmother, Mary, until she died in his early teens. From that point, he went to live with his mother, and they moved to several cities before eventually settling in Cleveland, Ohio. It was during this time that Hughes first began to write poetry, and that one of his teachers first introduced him to the poetry of Carl Sandburg and Walt Whitman, both whom Hughes would later cite as primary influences. Hughes was also a regular contributor to his school’s literary magazine, and frequently submitted to other poetry magazines, although they would ultimately reject him.
Hughes graduated from high school in 1920 and spent the following year in Mexico with his father. Around this time, Hughes’s poem “The Negro Speaks of Rivers” was published in The Crisis magazine and was highly praised. In 1921 Hughes returned to the United States and enrolled at Columbia University where he studied briefly, and during which time he quickly became a part of Harlem’s burgeoning cultural movement, what is commonly known as the Harlem Renaissance. But Hughes dropped out of Columbia in 1922 and worked various odd jobs around New York for the following year, before signing on as a steward on a freighter that took him to Africa and Spain. He left the ship in 1924 and lived for a brief time in Paris, where he continued to develop and publish his poetry.
SUCCESS, MENTORS, AND POPULARITY
After his graduation from Lincoln in 1929, Hughes published his first novel, Not Without Laughter. The book was commercially successful enough to convince Hughes that he could make a living as a writer. During the 1930s, Hughes would frequently travel the United States on lecture tours, and also abroad to the Soviet Union, Japan, and Haiti. He continued to write and publish poetry and prose during this time, and in 1934 he published his first collection of short stories, The Ways of White Folks. In 1937 he served as a war correspondent for several American newspapers during the Spanish Civil War.
MORE SUCCESS AND ACHIEVEMENTSIn 1940, Hughes’s autobiography up to age 28, The Big Sea, was published. Also around this time, Hughes began contributing a column to the Chicago Defender, for which he created a comic character named Jesse B. Semple, better known as “Simple,” a black Everyman that Hughes used to further explore urban, working-class black themes, and to address racial issues. The columns were highly successful, and “Simple” would later be the focus of several of Hughes’s books and plays.
In the late 1940s, Hughes contributed the lyrics for a Broadway musical titled Street Scene, which featured music by Kurt Weill. The success of the musical would earn Hughes enough money that he was finally able to buy a house in Harlem. Around this time, he also taught creative writing at Atlanta University and was a guest lecturer at a university in Chicago for several months.
Over the next two decades, Hughes would continue his prolific output. In 1949 he wrote a play that inspired the opera Troubled Island and published yet another anthology of work, The Poetry of the Negro. During the 1950s and 1960s, he published countless other works, including several books in his “Simple” series, English translations of the poetry of Federico García Lorca and Gabriela Mistral, another anthology of his own poetry, and the second installment of his autobiography, I Wonder as I Wander.
DEMISE AND LEGACY
On May 22, 1967, Langston Hughes died from complications of prostate cancer. A tribute to his poetry, his funeral contained little in the way of spoken eulogy, but was filled with jazz and blues music. Hughes’s ashes were interred beneath the entrance of the Arthur Schomburg Center for Research in Black culture in Harlem. The inscription marking the spot features a line from Hughes’s poem “The Negro Speaks of Rivers.” It reads: “My soul has grown deep like the rivers.”
Hughes’s Harlem home, on East 127th Street, received New York City Landmark status in 1981 and was added to the National Register of Places in 1982. Volumes of his work continue to be published and translated throughout the world.
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